waiting for my parents to come home.. so took some picturestheir back!! yeah!! before we leave we must put some cd 1st and of course green day^^the sky was really nice!even she is enjoying!
melaka! our 1st stop.
look kinda stunt.. we took a lot of pics





and of course must makan la~

i realize this building is not straight!when we are about to go to kl the car broke down!!
took this while waiting in the car..
so we have to stay in some hotel..morning!!

nice sunny day...
while waiting took some pics againfinally! in kl... at my aunt apartment
nothing to do so when out to take pictures of my aunt flowers....

while i got nothing to do so i play stacking kiwi's really cute.. it was from new Zealand. IQ toy

getting dry.dinner.
it was raining...

it's cute and stupid and it's a pen..

second day.

dad's glasses

flowers again... she really has a lot of beautiful flowers.
monkey something the name of the plantants! ahaha...

off we go!

omg!!!haha i look bad in this pic

colours

need help? press the button
this is our dessert

just finish dinner...





our breakfast before leaving...
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I bought green day's new album!!! Really cool,nice!
21 guns video should go check it out!

"American Idiot seemed like their career kamikaze — a concept album about American hopes and dreams, with characters named St. Jimmy and Jesus of Suburbia? Nice try! But it not only rescued Green Day from midlife limbo, it charged their musical batteries. With nearly 6 million copies sold and counting, Idiot became the sort of multiplatinum rock blockbuster that isn't supposed to exist anymore, because Green Day blew up into the sort of band that isn't supposed to exist anymore — raging with heart-on-sleeve passion, willing to risk falling on their faces with a grand statement. Even the songs that didn't work or the plot threads that didn't make sense just increased the fun, because Armstrong, bassist Mike Dirnt and drummer Tré Cool were refusing to go down slow.

21st Century Breakdown is even better, so masterful and confident it makes Idiot seem like a warm-up. They're back in rock-opera mode, dividing the album into three parts, "Heroes and Cons," "Charlatans and Saints" and "Horseshoes and Handgrenades." But there are no nine-minute excursions this time — only two of the 18 songs crack the five-minute mark — and Green Day focused their ideas into their sharpest, toughest tunes. Armstrong brings a compassionate edge to his snarl, even when he's spitting out self-lacerating lines like, "My generation is zero/I never made it as a working-class hero."

Like American Idiot, 21st Century Breakdown is a Seventies-style epic, telling the story of two young punk lovers on the run in the wreckage of post-Bush America. The heroes are Christian and Gloria, two kids sold out by the church ("East Jesus Nowhere"), the state ("21 Guns") and every adult they've ever believed in ("We are the desperate in the decline/Raised by the bastards of 1969"). Christian's the impulsive, self-destructive one ("Christian's Inferno"), while Gloria's more idealistic and political ("Last of the American Girls"), but they're forced to take care of each other — because nobody else will.

All over the album, Green Day combine punk thrash with their newfound love of classic-rock grandiosity — one moment they're quoting Bikini Kill, the next they're wailing away like it's the final minute of"Jungleland." The title tune is a multipart opus that pays cheeky tribute to a host of 1970s-heartland radio anthems — Queen's "Bohemian Rhapsody," Sweet's "Fox on the Run," Mott the Hoople's "All the Young Dudes." Armstrong takes a tour around the country, from his hard-luck childhood ("Born into Nixon, I was raised in hell/A welfare child where the teamsters dwelled") to the modern age ("Video games to the towers' fall/Homeland Security could kill us all"). He ends with nothing to show for it except his anger — and the heart to turn that anger into actual songs.

The ballads are their glossiest ever; "Last Night on Earth" could be Air Supply, and don't think for a minute they don't love the idea of pissing people off with that. But the highlights are the rage-fueled punk anthems. They barrel through Latin-flavored guitar raves ("Peacemaker"), Clash-size bootboy chants ("Know Your Enemy") and four-chord garage slop ("Horseshoes and Handgrenades"). "Last of the American Girls" comes on as a fabulous left-wing love song to a rebel girl — when Armstrong sings, "She won't cooperate," he's giving her the highest compliment he can imagine......."

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Green Day’s 21st Century Breakdown won’t land in stores until May, but Rolling Stone scored an early listen to six tracks this afternoon — and confirmed that the trio will kick off a massive world tour of indoor arenas in July. A full in-the-studio report by David Fricke will hit newsstands in our next issue, but here’s a sneak peek at what Billie Joe Armstrong, Tre Cool and Mike Dirnt have been cooking up with legendary producer Butch Vig at the same California studio they recorded the Grammy-winning American Idiot, Warning, Insomniac and Dookie. (Take a look back at Green Day’s career in photos, the Build Up to the Breakdown.)

As previously reported, the 16-track album is broken into three acts — Heroes and Cons, Charlatans and Saints, and Horseshoes and Handgrenades — and Dirnt told AP magazine that the songs “speak to each other the way the songs on [Bruce Springsteen’s] Born to Run speak to each other. I don’t know if you’d call it a ‘concept album,’ but there’s a thread that connects everything.” The songs are defiant, but also defiantly hopeful, referencing the unsettled political climate as well as more personal and generational turmoils. Its blend of claustrophobia, freedom and urgency is well illustrated by the album’s cover art, which depicts a tight shot of a young couple kissing against a graffiti-covered wall."..........

Details from rolling stones..